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Pick of the Week

In issue 110, associate editor Chloe Chu looks into the ways in which artist Wong Kit Yi and her symbiotic business manager Ali Wong dissect the various spatiotemporal conditions that shape our perceptions. Read the full article.

ISSUE 110 SEP/OCT 2018
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Editor's Letter BY Elaine W. Ng Dragons, Hydra and the 21st Century
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Back in 1993, when ArtAsiaPacific published its first print edition, the Internet had just broken out of its shell as the World Wide Web and was still a duckling learning to swim in the waters of global communication. 

Profiles BY Chloe Chu Double Time
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New York-based conceptual artist Wong Kit Yi shares a website, apartment and body with her business manager Ali Wong. 

Features Future Cities
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Urban dispatches from five artists and writers

in 2050.

Features Future Markets
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International gallerists speculate on buying, selling and distributing art in 2050.

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Features BY Ysabelle Cheung, Chloe Chu, Julee Woo Jin Chung, Ophelia Lai, HG Masters Young & Emerging: New Narratives

In 2009, three graduate students rented a musty, water-damaged basement in Seoul and invited guests to the space.

Reviews BY Julee Woo Jin Chung Systems
Lin Tianmiao

In the 1970s and ’80s, Chinese avant-garde artists showed their work in apartment spaces to evade intervention by government authorities. 

Reviews BY Ned Carter Miles Crashing
Lee Bul

A work catching fire and forcing the cancellation of a preview would seem an inauspicious start to any exhibition. 

Where I Work BY Elaine W. Ng Mit Jai Inn

Perhaps the best-known artist in Thailand is one the rest of the world has barely heard of. 

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Want to read more about the 53 countries covered by ArtAsiaPacific? 

Purchase Almanac XIII, a compendium of the most significant art events of 2017 and a look ahead at what’s next in 2018.

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